Showing posts with label Elements of Fiction. Show all posts
Showing posts with label Elements of Fiction. Show all posts

Tuesday, June 25, 2013

World Building Skills: Days of Blood and Starlight

It’s hard to build a world from scratch. So when I see great examples, I take notes.

Book: Days of Blood and Starlight by Laini Taylor
World building skill: Common Expressions

Don’t sheathe your claws: a chimaera saying that means “don’t hold your breath,” but with an undertone of preparing for coming danger.

Spoilers ahoy!

Wednesday, June 19, 2013

Micro Skills: Writing Emotions

Micro skill: a writing technique used to create an element of a novel that, although small, contributes with other small elements to the bettering of the novel as a whole. When employed masterfully, micro skills can transform a novel from “The writing wasn’t great, but I really enjoyed it” into “That book totally changed my life.” See also: macro skill, e.g., plot, character, setting. Micro skills form like a Voltron to create macro skills.

Today’s featured micro skill: conveying a character’s emotions in a fresh, interesting, and clear manner.

Wednesday, June 12, 2013

J.K. Rowling: Master of Plot

A few weeks ago, Buzzfeed posted J.K. Rowling's outline for Harry Potter and the Order of the Phoenix, and it further cemented my belief that she is a master of plotting. Let's take a closer look. (Click on the photo to see the original large image from at Buzzfeed.)

Warning: this post reveals plot points from book 5 of the series.





Friday, April 26, 2013

Sound Structure: The Summer Prince by Alaya Dawn Johnson

Ever since Twilight grabbed the attention of millions of readers by beginning with the ending, the action prologue has been a staple of young adult literature. It may be overused, but it's a favorite for a reason. When Stephanie Meyer opened with Bella facing certain death at the hands of an unnamed tormenter, she was making a promise to the reader: stick with me through the slow character introductions and world-building, and I'll give you adventure, romance, and death-defying danger.

In a larger sense, the action prologue, and all tweaks to the simple chronological story structure, are about enhancing the impact of plot and character moments. For example, a love story told from the moment a couple meets to the moment they break up might be sad. But if the writer starts in the middle of the relationship and only flashes back to the first meeting after she details about the breakup, the hope and happiness of those early moments acquire a tinge of tragedy because the reader knows what the characters themselves do not: this story ends badly.

The characters in Alaya Dawn Johnson's The Summer Prince know that their story will end badly. Or at least, they should. June and her best friend Gil are in love with the new Summer King, but in their home city of Palmares Tres in future Brazil, the Summer King is always killed at the end of the year. Johnson uses an unusual narrative structure, mixing voice and time, to both solidify this event's inevitability and call it into question.

***WARNING: I deploy mild spoilers in order to discuss this book's structure in detail***