Yang uses an interesting structural technique to tell Jin’s
story. The book does not open with Jin at all, but with the beginning of a
story (based on Chinese legend) about the Monkey King and his exclusion from a
dinner party with the other gods. Only after the first part of this tale
concludes do we get the beginning of Jin’s story. And then, after Jin’s first
chapter, a third tale intrudes: that of Danny, white American teenager, whose
exaggerated-Chinese-stereotype cousin visits once a year to embarrass him and
wreak havoc with his social life. This third story piece is written as a
sitcom, complete with applause and studio laugh track running underneath
Danny’s story.
Each of the pieces of American
Born Chinese are similar enough thematically that they hang together as
parallel fables, but the lines of story run closer and closer together as the
book goes on. Finally, all three intersect in a painful, sweet, and extremely
satisfying conclusion exploring the courage it takes to ignore the perceptions
of others when defining yourself.
American Born Chinese
is a great example of the ability of graphic novels to present astronomically
complex intellectual and emotional fare in a seemingly simple package.
I read this book, and I thought it was excellent. This is a good summation of the book, Maya, without giving too much away.
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